{"id":1254,"date":"2025-09-28T13:41:23","date_gmt":"2025-09-28T13:41:23","guid":{"rendered":"https:\/\/byimage.it\/?page_id=1254"},"modified":"2025-11-22T23:32:45","modified_gmt":"2025-11-22T23:32:45","slug":"opere","status":"publish","type":"page","link":"https:\/\/byimage.it\/en\/opere\/","title":{"rendered":"Works"},"content":{"rendered":"
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Alhambra<\/h2>\n\n

Marker and pencil on cardboard \u2013 100\u00d7140<\/p>\n\n

\"Alambra,<\/figure>\n\n

From a project proposed to Escher on Reimann's mathematical concept of space: a space delimited by a circle in which, on either side, there were two worlds that somehow interpenetrated each other while remaining on different planes. I began to think about what could enter these spaces, and I remembered a photograph taken in the 1980s at the Alhambra in Granada, in which a circular pool filled with water reflected the external architecture, which is why...<\/p>\n\n

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details about<\/em> Alhambra<\/span><\/div>\n\n<\/div>\n<\/a><\/div>\n\n\n\n
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Digital Alhambra AI<\/h2>\n\n

Digital printing on glossy card \u2013 5.4\u00d75.4 inches<\/p>\n

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\"Immagine<\/figure>\n<\/div>\n

From the Alhambra project, I wanted to experiment with AI by inputting the Alhambra design and prompts, searching for other visions, glimpses of other worlds that these interactions open up to us.<\/p>\n\n

I produced 259 images, from which I made a selection, reducing them to 6.<\/p>\n\n

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more on:<\/em> Digital Alhambra AI<\/span><\/div>\n\n<\/div>\n<\/a><\/div>\n<\/div>\n\n\n\n
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Photo Papers<\/h2>\n\n

Acrylic marker and ink on photographic paper \u2013 10\u00d715 \u2013 2024\/2025<\/p>\n\n

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\"Walk<\/figure>\n\n\n\n
\"Evolution<\/figure>\n\n\n\n
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Black ink drawings: in a small space, marks reflect, like magic cards, something of the reality of the viewer, references to the present or the future, wishes and revelations.
I received these photographic printing papers, but no one knew how to use them because nobody prints anymore. So I thought about the type of medium, its beauty and texture, and that's where I got the idea to draw on it instead of printing on it. I felt it was important for the work to be portable, something that could be consulted at any time.
The vertical is expressed in the horizontal plane.
to be able to travel like a postcard, collect it, create a story by juxtaposing them, and always have something beautiful and inspiring with you.
The end of the postcard and its reinvention, new uses for old materials.<\/p>\n\n

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discover the<\/em> Photo Papers<\/span><\/div>\n\n<\/div>\n<\/a>\n\n\n
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Metaphysical Black and White<\/h2>\n\n\n\n

Graphic pen on card stock \u2013 42\u00d721.97 \u2013 2025<\/p>\n\n

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\"Apparizioni<\/figure>\n\n\n\n
\"universo<\/figure>\n\n\n\n
\"post<\/figure>\n<\/div>\n\n

Black and red ink drawings on A3 sheets, symbols and geometric figures composed to form a message to be deciphered.
Harmonious and abstract designs using the semi-automatic drawing method.

I thought about the observer's imagination, which could find answers to unspoken questions.
These drawings question the soul, suggesting questions and unexpected possible answers through the representation of geometric elements reminiscent of real objects, creating relationships that produce a new message.
Knowledge of symbolism creates natural harmony, and her connection with the abstract makes her a \u2018voice\u2019 worth listening to.<\/p>\n\n

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Discover <\/em>Metaphysical Black and White<\/span><\/div>\n\n<\/div>\n<\/a>\n\n\n

Shooting the Invisible<\/h2>\n\n

Where reality seems to melt away and everything flows, a mysterious and fascinating world emerges that listens to us, reflecting our inner selves.<\/p>\n\n

Digital print on 70\u00d750 cm photographic paper, framed in a 100\u00d770 cm frame.<\/p>\n\n

\"Fotografando<\/figure>\n\n
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Shooting the Invisible<\/span><\/div>\n\n<\/div>\n<\/a>\n\n\n
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